Film

The Monkey, Osgood Perkins’s bloody follow-up to Longlegs, is bananas for all the wrong reasons

From its people to its story, Morningside is pure Scarborough

Life is beautiful, and shallow, in Paolo Sorrentino’s Parthenope

TIFF brings global film leaders into fold as it ramps up Ottawa-backed market plans

The holes in Apple TV+’s romantic thriller The Gorge run so deep you’ll question its original conceit

Washington needs to slap a tariff on Marvel’s culturally bankrupt Captain America: Brave New World

What to watch this weekend: Special heart-bursting Valentine’s Day edition

‘We have so many we haven’t told yet’: Zacharias Kunuk on a lifetime of sharing the stories of the North

Action-comedy Love Hurts is a kick to the heart, if not the head

What to watch this weekend: Jude Law plays cops and robbers in The Order, plus disco gets its revenge

Inside the ugliest Oscars race in Hollywood history

‘Let’s get angry’: Are the tariffs the push Canada needs to finally embrace homegrown film and television?

For Barry Keoghan and Christopher Abbott, Bring Them Down is about trauma and toxic masculinity

Dog Man bites off $36-million to take top box office spot

What to watch this weekend: Ferrell and Witherspoon cordially invite you to the return of the star-led comedy

Love is blind, among other things, in darkly comedic thriller Companion

‘Shivering moments of recognition’: Producer Robert Lantos on lingering legacy of his Holocaust drama Sunshine

Sook-Yin Lee’s sex-work anti-romcom Paying for It is a labour of love worth every cent

Fernanda Torres locks up her Oscar chances with heart-wrenching Brazilian drama I’m Still Here

Blake Lively and Justin Baldoni get March 2026 trial date for her ‘It Ends With Us’ lawsuit

Mel Gibson’s Flight Risk flies to first place in opening weekend with $12-million at the box office

The hard truths of Mike Leigh and Marianne Jean-Baptiste’s decades-long ‘love fest’

Mel Gibson’s exceptionally awful Flight Risk might have Trump rethink that Hollywood ambassador idea

Oscar nominations 2025: Biggest Academy Award snubs, surprises and reality checks

Sugarcane, documentary about a B.C. residential school, among Canadian Oscar nominees

Five things to watch this weekend: Amy Adams sinks her teeth into Nightbitch, plus Hugh Grant gets horrific

Broken Social Scene documentary It’s All Gonna Break is a snapshot of friendship

Director Steven Soderbergh has a lot to say about ghosts, Hollywood and the future of films

Who you gonna call? Steven Soderbergh plays Ghostbuster with sly new thriller Presence

Canadian Oscar hopeful Universal Language is a wonderfully wry tribute to Winnipeg, via Tehran

Why the dreams of David Lynch will never die

Wolf Man director struggles to marry emotional beats to schlocky thrills

Five things to watch this weekend: Netflix gets Cameron Diaz and Jamie Foxx Back in Action, plus Kieran Culkin is A Real Pain on Disney+

Nightbitch director Marielle Heller: ‘Half our population menstruates, and we can’t talk about it?’

Nightmare at the dream factory: L.A. wildfires reveal ugly truth about how we value artists

Oscar nominations postponed for second time because of Los Angeles wildfires